Gangster and criminal Don, Suraj Rana, who is also known for his kindness, adopts a street urchin named Arjun, and teaches him all the tricks of the trade, so that he can succeed him, even though he has a son named Karan. Arjun and Karan grow up as brothers, and Arjun takes charge of all criminal activities after Suraj passes away. Karan has fallen in love with Bindiya, the daughter of Suraj's deceased employee, and would like her to marry him. But Bindiya is in love with Saahil, and only likes Karan.

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Karan now decides to take the matter into his own hands, and thereby force Arjun to take sides either for him or against him. My other title for this review was 'this is a pretty good film for such a mess'. Director Ahmed Khan throws in just about every directorial style and most of the plot contrivances that he can think of, no matter how minor or unrelated to the main body of the film. The 'problem'--what makes this a pretty good film despite that fact, is that on a detailed view, he's good at all of those styles (aside from a few moments of supreme cheesiness, perhaps), and if you are patient enough, or concentrate enough, to bore into the basic plot, the story is decent, with potential to be great. But this is a film that could strongly benefit by being cut down to about an hour and forty minutes, rather than its current almost three-hour running time. The story, which doesn't really kick into gear until after an hour has gone by--credits still appear about 20 minutes into the film--is centered on a 'gangster family of orphans', curiously enough. Although I'm not quite clear on some of the details, the leader of the family is the eldest son, Arjun Rana (Sunny Deol), who looks and acts an awful lot like an Indian Kevin Spacey.

He also has a brother, Karan (Sohail Khan), whom I believe was the biological son of their gangster father, and an adopted sister, Bindiya (Nauheed Cyrusi). I don't recall (or it wasn't said) what happened to the father.

It's also not said just what the family does--what kinds of criminal activities, presumably--to sustain their wealth. And at one point, I was getting very confused by the fact that everyone was calling everyone else 'brother' (presumably there was some slight inflection difference between 'blood brother' and ' 'spiritual' brother', but that's a generous guess). Frou Frou Deal With It Download more. At any rate, the Rana family is eventually contrasted with two brothers (these two I know were blood brothers), Saahil (John Abraham) and Sanju (Sunil Shetty), who are from the 'wrong side of the tracks', economically--the side where Arjun had his roots. Sanju is a mechanic and has a mostly benign street gang of his own, and Saahil is a college student--he goes to the same school as Bindiya and Karan. In addition to all the kitchen sinks (which I'll detail a bit in a minute), the film also gets into some of the gangster stuff you'd expect, but eventually it's much more of a love triangle film, with Bindiya placed between the love of her brother, Karan (this is one of the 'forbidden lines' of the title), and Saahil. There's a line of dialogue, in Main Madhuri Dixit Banna Chahti Hoon (2003), I believe, where someone in the film business says that sometimes Bollywood films start shooting even without a script--they just assemble a cast and make it up on the fly.